PRJ_TWR_001
residual continuesThe Two Who Remembered
Owner Jacque Antoine DeGraff
Origin Jacque Antoine DeGraff / SSDF Inc.
This work sits in the catalog. Licensed objects inside it stay with their origin.
2 master objects
Continuing body of works
A catalog is not a folder of masters. It is an organized body of works and recordings with continuing rights. Catalog ownership is not 100% of everything inside it. Paid is not origin.
SSDF catalog. Holder SSDF Inc..
I got paid does not answer what I gave away.
Read the instrument. Origin, commission, license, master, and window are different objects. A deal can change what the production legally is. MNEMOS is not your attorney. It organizes what this kind of paper does to the production. Review is a human profession.
Cannot treat catalog administration as origin of Lumen, Amara, or Vale objects.
The body of works the studio conducts or hosts. Conducting is not owning every interest inside.
PRJ_TWR_001
residual continuesOwner Jacque Antoine DeGraff
Origin Jacque Antoine DeGraff / SSDF Inc.
This work sits in the catalog. Licensed objects inside it stay with their origin.
2 master objects
PRJ_FL_001
residual continuesOwner Jacque Antoine DeGraff
Origin Jacque Antoine DeGraff / SSDF Inc.
This work sits in the catalog. Licensed objects inside it stay with their origin.
1 master object
PRJ_ASH_001
residual continuesOwner Ash Veil Productions
Origin World: Lumen Atelier · Picture: Ash Veil Productions
This work sits in the catalog. Licensed objects inside it stay with their origin.
1 master object
PRJ_KAEL_ALBUM
residual continuesOwner Amara Voss
Origin Amara Voss composition · MNEMOS recording
This work sits in the catalog. Licensed objects inside it stay with their origin.
1 master object
PRJ_FLW_001
residual continuesOwner Vale Atelier
Origin Composition: Amara Voss · Picture: Vale Atelier
This work sits in the catalog. Licensed objects inside it stay with their origin.
2 master objects
The Two Who Remembered. 6 attached · 2 untested. Not a quiz. Relationships attach when they exist.
Forty painful categories exist in the industry. They are not a quiz on Create production. The machine represents a relationship when it actually attaches. The rest remains gap until a production brings it.
01
Where the underlying work came from, and who actually owns it.
Origin records on this ProductionID. Specified is not signed.
02
Idea → treatment → screenplay → revisions are history, not a final credits line.
Human writing declared. Credit history is not a final card.
03
A sitting is not replica consent. A synthetic lead who is not a copy of someone is a different fact.
Synthetic leads. Replica consent is held unless a named person is being copied.
04
The writing. Travels with reuse. A stream is not a sale of the song.
Composition attaches when a writer of music is named.
05
A particular recording or picture version. Not the composition. Not the copyright.
2 master objects on this ProductionID. Specified is not delivered.
06
What was licensed, by whom, from whom, for which use. 'We licensed the song' is not enough.
Licensed music declared. Sync paper should travel.
07
A camera capturing something does not own every associated interest.
No location or property paper on this production. Not a quiz. Attaches when a place is in frame.
08
What legal relationship permits this asset to exist in this production and keep being exploited.
Archive attaches when third-party material enters.
09
Capability ≠ authorization. A model is a reservoir. Training material is a rights fact.
Capability ≠ authorization. Generated material is a reservoir output, not origin.
10
Presented ≠ accepted ≠ paid. Residual continues. Catalog sale does not rewrite origin.
Windows can be presented. Acceptance is the destination's act. Pay is off. Catalog administration continues after release.